I’ve been doing freelance design, taking photos, making art, building websites, and doing all kinds of stuff for more than twenty years. I’ve always thought I’d like to start a business for this stuff, but just never got up the courage to actually do it.
That changed tonight. I’m now the proud owner, er, Manager of an Alabama Limited Liability Company called Planet Glue LLC, and I have some big ideas–some old, and some new–for the company.
Right now it’s just a business card, a portfolio, a registered domain, an email address, and (most importantly?) a dream. I’ll spend the next few days building a website and some social media accounts.
When I was in grad school, I remember one day I was talking to my advisor about my plans for upcoming presentations and publications and he threw his arms in the air and shouted, “dominate!” (I love you, Dr. Frank. Never change.) That’s the energy I’m bringing to this.
You know? I should look on the bright side. It’s good to be informed now about Indiana University on both sides of my 32″ monitor (some good information to have here in Alabama), State Farm, AT&T, the Citi Double Cash Card, and T-Mobile. Now I can go out into the marketplace armed with all of this information and make some rational decisions.
I’m not a fan of the phrase “enshittification,” because most of this shit was just shit to begin with*, but this is a truly enormous pile of steaming dung. And it’s not as easy to fight as people would have you believe. Use an AdBlocker and they nag you. If they nag you hard enough you have to block JavaScript, and that has to be done on a site-by-site basis if you want any good JavaScript to execute.** Leave it off, and this is the reward.
What a nice world we’ve built for ourselves here.
* maybe that should be a post one of these days since I see someone pontificating about “enshittification” somewhere every day.
** is there any such thing as good JavaScript anymore? Was there ever?
I pay $20 a month for the “privilege” of editing PDFs.
I understand there are other solutions that allow me to do this for free or at a fraction of the cost. I’ve tried many of these over the years and found that Adobe’s solution works best for me as a production tool. Having reached that conclusion, I don’t mind paying for it.
Lately, however, Adobe is making it hard for me to continue paying this fee. Every time I open the app, close the app, or even just move the mouse to the wrong portion of the screen, I am bombarded with advertisements.
First there is the startup ad. The first time I open the app, every day it seems, I’m presented with a popup detailing new features I might be interested in trying. I must engage with this ad, either positively or negatively, to proceed. It’s like a little toll my brain must pay to start working with PDFs.
(Note: I had already cleared the irritating popup which prompted this post yesterday before I had a chance to grab a screenshot. I knew that if I came back today I would get a new one, and bingo! there it was.)
Checkout this fun popup that I’m paying to see!
Thankfully I don’t need to close an ad like this every time I open the app for the rest of the day, but every time I open a document, I can be certain that another dialog recommending an AI summary will appear at the top of the screen. Let’s leave for another day the question of whether an AI summary is good for me, good for society, or whatever. Today I am irritated by the simple cognitive labor I have to do every time I open the app to work, to learn, or even just to read for fun. This dialog doesn’t obscure the document, but it consumes valuable real estate on my screen that I often can’t afford to give up. I have to think about it instead of what I’m reading.
Here’s a super-cool dialog that is just big enough to be a distraction. Yay!
After I’ve closed this dialog, I’m still not done dealing with distractions. If I make the mistake of moving the cursor to the bottom of the screen, another dialog appears. Not only does this dialog require another little jolt of cognitive labor to acknowledge and clear the distraction, it creates a slight disincentive against moving the cursor while reading. Worse, this one obscures a portion of the document for a second or more after I move the mouse away from the Hot Zone.
This thing… this thing just really gets under my skin.
There’s something else about this dialog that drives me crazy. It activates a feature that is already controlled by a button at the top of the screen.
Here is the button that is supposed to activate an AI Assistant dialog like the one (but not the same one?) that automatically opens at the bottom of the screen when I move the mouse to the wrong place. It’s got fun colors!
If I wanted to use this feature, I would click the brightly-colored button at the top of the screen! This drives me crazy because the application shouldn’t just execute a command on my behalf – especially not when it has recommended the feature on startup and then reminded me of its existence again and again with popups, dialogs, and colorful buttons. Don’t treat me like a stubborn child who needs to be forced to eat his vegetables. You say you don’t like it, Adobe asks, clearly the wise adult in this exchange, but have you even tried it?
What an insult.
On this computer I pay the bills. If I want to use the damned feature I’ll damn well click the damned button.
This insult poses a philosophical challenge as well. Ask yourself: when is it OK for a machine to operate itself? The deal we’ve made with machines is simple: operators should be the ones operating them. The machine should not operate itself unless the operator has instructed it to do so, or failing to perform an operation would risk injury. When it executes a command on its own, the resulting operation should be limited in scope and duration.
Perhaps a car offers some good analogies. In my car, the headlights turn on automatically when it gets dark because I’ve turned a switch—that is, issued a command—for them to operate that way. If I don’t turn the switch, they don’t turn on. The radio doesn’t randomly change channels to introduce me to new stations (yet). It doesn’t turn on at all unless I press the button. The engine doesn’t change to Eco Mode automatically when I cross the border into a new state. The things that do operate without my explicit command, such as the automatic door locks, do so because the risks associated with error are grave. If I don’t lock the door, it may open in a crash. You can imagine the consequences. I’m willing to hand over a little piece of my autonomy to the machine here.
Does this example of remote execution, this magic AI Assistant dialog, pass that test?
In my most uncharitable moods (like the one shaping this blog post) I think about how failing to click the “Ask AI Assistant” button threatens the careers of all the managers who are responsible for driving user adoption of AI at Adobe. I suspect that Number of Impressions—that is, eyeballs on the AI Assistant feature—is a KPI they can boost by displaying this dialog at the bottom of the screen when I move the mouse down there. When I’m in these dark moods I think that’s a dirty trick to pull on me. It’s especially low down when I’ve been kind enough to allow you to reach into my bank account and automatically withdraw $19.99 every month.
Believe it or not, we’re not done with adverts yet. After capturing the screenshots for this post, I clicked the OS window control to exit the application and close the window. To my amazement, the popup below appeared because I tried to exit without saving the document. Unlike the magic AI Assistant dialog, this could have been helpful! Alas. Rather than simply prompting me to save my changes, some manager at Adobe thought this would be another fantastic opportunity to sell me on a product feature by using dark patterns to drive my behavior. “Share for review” is bright and welcoming. Simply press Enter, it suggests, and turn on the light. And that WhatsApp logo is a big green light saying Go, Go, Go. “Save without sharing,” in contrast, is dark and foreboding, like the mouth of a cave—clearly a button for dullards and dimwits to press so they can stay in the Dark Ages.
They’ve got you coming and going. I pay for this.
Adobe isn’t alone here. Companies are taking these liberties too often. Just today, for example, Teams informed me when I started the app that there was a brand-new Copilot feature for me to try. I have to use Teams for work, so I spend a huge portion of my life—like it or not—staring at this application. I didn’t ask for this. I didn’t opt-in, and I can’t opt-out. My employer didn’t request the feature. But, nonetheless, there it is. A group of managers and devs forced me and millions of others to just live with this thing for eight or more hours per day and hundreds or thousands of dollars per year. And if we don’t care about the feature enough to click on it, they’ll find new ways to remind us that it’s there. I expect to see more popups, more nudges, brighter colors, shimmering icons, and other ruses from the big bag of user psychology tricks reminding me to Try Copilot! until the next KPI comes along that incentivizes Microsoft to arbitrarily and unilaterally change the app again and surface new features.
Adobe ain’t alone. This thing I didn’t ask for had a “helpful” little popup to announce its arrival as well.
I see this happening every day in web apps, mobile apps, desktop apps, even the operating system itself. And before you swing your boots up into the stirrups of your high horse, I know I can use Linux to avoid most of this. I know I can use open source tools. I’ve used Linux as a daily driver on my personal machines since 2007, and I was using open source apps before that. It doesn’t matter. If I want to put food on my table I have to use these products controlled by Microsoft, Adobe, Apple, Google, Esri, Autodesk, and all the other companies who do these short-sighted, authoritarian things to try to alter my behavior and shape my daily existence. I can’t escape it, and neither can you.
But still, if Adobe could chill with the ads in Acrobat, even just a little bit, that would be nice. Until then, I’ll be over here closing popup adverts and keeping my cursor at the top of the window.
TikTok is the future of web browsing. You won’t surf the web; it will be served to you “algorithmically” instead. After a while you’ll be served the content you want and it will feel like it was your idea all along.
AI is the engine to do this. The AI feed will repackage the web, all of the books, all of the recorded audio, and all of the video (which it has already consumed) and deliver it in a feed. You will open the browser and the content will appear. You will scroll and new content will appear.
This is basically the Facebook News Feed or TikTok FYP, but there is a crucial difference. Content there still leads users away from the source. People make the content (or prompt it); people (or their scripts) post the content. They need you to click on it and they want you to follow them off the feed. It’s a dialectic twisted around revenue. Facebook and TikTok want you to keep scrolling so your eyeballs roll over their ads, but Facebook and TikTok need content from users to keep you coming back. Creators who post there want you to click on their content so your eyeballs roll over their ads (or you send them money directly, but they need Facebook or TikTok to put your butt in the seat.
The AI Feed will certainly be burdened by its own internal contradictions, but it will escape this dialectic. Users will stay on the feed because it can endlessly generate content in a way that makes them feel like they’re unique, living on the cutting edge of information, and in control. Creators may post on their own sites (like this one!) but, lacking the “algorithm” and the network effects of a major platform, they will labor in obscurity. Further, the Feed will just consume their content and repackage it.
Maybe the Small Web will come back. Maybe print media will come back. I’ve explored both of those ideas in this blog at many points in the last ten years. Or maybe the AI Feed will be amazing. Who knows? The only certainty is change, change, change.
TRIRIGA/MREF GIS Queries must Include GIS Latitude and Longitude and these must be labeled “Latitude” and “Longtitude.”
This is a quick note in case anyone is struggling with the same problem I encounteredcaused today.
Here’s the scenario.
You’ve got a GIS portal section in TRIRIGA/MREF.
You’ve created the GIS Map record that powers the section.
You’ve set up the extent, configured your basemap(s), connected to one or more data sources for layers.
You’ve created a “GIS Query” record to display TRIRIGA data on the map.
For most of you, it probably just works. Congratulations! If you’re a grug brain like me, though, read on.
No matter what you do, the map doesn’t work! It’s so broken, in fact, that the portal is unstable and your browser reports that the page is unresponsive.
If that’s you, what now?
The TRIRIGA documentation says it plainly enough: “Queries must include display columns that are labeled Longitude and Latitude. The Latitude and Longitude fields pinpoint the item on the map.”
After spending a couple hours today troubleshooting a GIS query, let me make it even more plain.
Make sure your query includes the Location Business Object and (of course) the correct association string.
Add the triGisLatitude and triGisLongitude fields from the Location BO to the query.
Label these fields Latitude and Longitude. This step is important! The fields are called “GIS Latitude” and “GIS Longitude” on the BO, and that won’t work.
Save the query, reload the portal, and voila!
Now I must confess what I did. Learn from grug.
grug see GIS query has longitude and latitude but TRIRIGA locations have no latitude and longitude data
this bad — it mean no TRIRIGA points on map
grug see GIS layer from ESRI includes ID
grug think user need way to open TRIRIGA record when they see something interesting on map
grug see “Show Table” on map viewer and see that records can be opened from the table
grug get idea
maybe user click on “Show Table,” find what they need with ID, and open record that way
this not great, but only option
grug change query to show data shown on GIS layer
grug think user no longer need latitude and longitude on query because these always blank
grug delete latitude and longitude from query because efficiency good
now portal no work and browser mad at grug when page load
grug try fix many ways until stop and eat lunch
maybe read documentation will help, grug think, but it only help a little
after few more tries, grug find answer and then write answer here
If this helped you, hello from the past! If you’re inclined, leave me a comment.
I don’t need prestige. I don’t need to write for a living, or make art for a huge audience, or, indeed, to create anything for anyone else at all. I don’t need to build an audience, be an influencer, count my likes and followers, or do any of the other things that seem, on the surface, as though they might somehow validate my experience as a human being.
Because to create is the most human impulse.
Pursuing validation from a crowd of followers, staying on top of algorithmic trends, building an audience on a platform I don’t own, networking and seeking acceptance from editors and selection committees, boosting my CV to appear legit, going to the right schools, living in the right cities, publishing in the best journals, adopting the right ideas, keeping up with fashion – these are just ways of playing someone else’s game.
I don’t need to please the gatekeepers. I have everything I’ll ever need right here, on this website.
If someone else gets some pleasure from anything I create, I am (of course!) thrilled to know that I have given them joy. But that isn’t the reason I’m here. Writing and creating art is a way of thinking through the world, of meditating, of paying attention to people, places, things, and ideas in a way that I can’t otherwise access.
Creating is also a compulsion. I need to write. I need to create.
So here’s what I’m going to do. Anything I ever write, make, photograph, or whatever, from now on, is going here. This is the place for it. This won’t break my writer’s block, put a new song in my head, or miraculously give me something interesting to paint, but it’s something. A little digital yawp.
It’s been a while since I posted a Visual Excitement, but this warrants the effort. Some stills from Michael Powell’s 1963 made-for-TV adaptation of Bela Bartok’s opera, Bluebeard’s Castle.
How many of these emergent problems will have to be solved before the product is secure? And even if we could think of everything, how many entirely new problems are these tools creating which will, in turn, also have to be solved?
[Edit: I finished reading the rest of the post, which I’ve just linked again, and holy shit.]