Just Post It

I need to write. I need to create.

I don’t need prestige. I don’t need to write for a living, or make art for a huge audience, or, indeed, to create anything for anyone else at all. I don’t need to build an audience, be an influencer, count my likes and followers, or do any of the other things that seem, on the surface, as though they might somehow validate my experience as a human being.

Because to create is the most human impulse. 

Pursuing validation from a crowd of followers, staying on top of algorithmic trends, building an audience on a platform I don’t own, networking and seeking acceptance from editors and selection committees, boosting my CV to appear legit, going to the right schools, living in the right cities, publishing in the best journals, adopting the right ideas, keeping up with fashion – these are just ways of playing someone else’s game. 

I don’t need to please the gatekeepers. I have everything I’ll ever need right here, on this website.

If someone else gets some pleasure from anything I create, I am (of course!) thrilled to know that I have given them joy. But that isn’t the reason I’m here. Writing and creating art is a way of thinking through the world, of meditating, of paying attention to people, places, things, and ideas in a way that I can’t otherwise access.

Creating is also a compulsion. I need to write. I need to create.  

So here’s what I’m going to do. Anything I ever write, make, photograph, or whatever, from now on, is going here. This is the place for it. This won’t break my writer’s block, put a new song in my head, or miraculously give me something interesting to paint, but it’s something. A little digital yawp. 

I have some things in mind.  

“Democracy”

Lately, every time someone writes about “democracy” in some piece of urgent online hand-wringing, I stop reading. It’s not because I disagree with their politics, necessarily, but because I can’t shake the uncanny feeling that the writer has stopped thinking.

“Democracy” is exactly what we are living with. Rule by populists and demagogues is one of its outcomes. What these people seem to want is something else, a Utopia of Rules, in which the adults swoop in to save us from our mistakes. It’s the world of Report Cards and Crossing Guards, where the rules and consequences are written on the board. That’s not the world we’re living in.

You May Have Seen Me In…

Today I discovered my new favorite pastime: creating my own Troy McClure movies. For example,

  • Look Ma, The Fish Ate My Face!
  • Guess Who’s Listening II: Sign Language
  • Don’t Miss The Bus, Stewart
  • Kung-Fu Barista!
  • Watson and Crick Save The Queen
  • TikTok: The Movie
  • Radical Grind: Getting the Most from Your New Razor Scooter (Instructional Videotape)
  • Dude, You’re Muted
  • Another Round 2: Keep It Down
  • Speed IV: Cybertruck Nightmare

Have a great weekend!

Bereft Cinema

Some research this afternoon led me to an archive of FSU’s student-run newspaper, the Florida Flambeau, from 1985. Skimming over this issue from October 11, I paused to look at these advertisements for movies playing here in Tallahassee.

Look how many theaters there were! I’m counting eight theaters on the list, where now there are only three. And look at that variety! It’s not like now, where all of the theaters are playing basically the same features and differentiating their offerings based on screen size, food options, and app memberships. Instead of a cartel organized against streaming headwinds, this was a vibrant marketplace of competitors.

Aside from the number of theaters and the variety of features on their screens, I also thought about what has replaced these theaters in place. Where these independent cinemas once stood, there are now the following chains:

  • Target
  • YouFit
  • Whole Foods
  • REI Co-Op
  • World Market
  • AMC Theaters (still movies, at least!)

Plus an office building and an empty lot being developed into the new police headquarters.

Someone could probably tell me all the reasons why movie theaters and chains are better today, but I felt a rush of nostalgia anyway for this bygone era of variety and independent business when I saw this old newspaper page.

What is American Freight?

I am currently seated on a dark, gray-green “Cuddler Sectional” sofa in a quiet warehouse. A single fan is whirring somewhere in the corner over by the rollup door leading to a chaotically disarranged backroom full of giant boxes and stacked mattresses shrouded in opaque plastic wrap. A sign on the wall overhead shouts “FREE LAYAWAY” in blood-red block letters. Another proclaims, “SAME DAY DELIVERY.”

Somewhere I have learned that red is an action color, meant to provoke; but what happens here, mostly, is that people wait. I am waiting on this gray couch, for example. The printout taped to the couch in a plastic sleeve neat my head tells me the color is “Aspen Gray,” but no such color exists in nature. Across from me, an elderly woman is waiting in a black leather recliner. On a sofa several rows behind me another woman waits, staring forlornly at her phone. People wander around,

We are waiting in American Freight, a furniture store inside of a warehouse located in one of Tallahassee’s few light industrial areas. This is an area–always quiet on the weekend save for this furniture store–characterized by long, low buildings broken into sections of anonymous rollup doors, swimming pool and solar panel companies, fenced parking lots, box trucks.

Even if you aren’t located near one of the company’s 370 give-or-take warehouses, I am willing to bet something else like this exists in your town. Here are some characteristics.

  • Business is done in a warehouse setting. There is no showroom, no fake televisions or coffee table books. There is no front door, in fact, just a large roll-up door at the top of a loading ramp.
  • Customers back trucks and trailers up the ramp to the big door.
  • You never see the same people working there. You may visit two or three days in a row and see different–but invariably young and business-casual–salespeople each day.
  • After the first wait is over, customers back their trucks and trailers up the ramp to the big roll-up door and wait a bit longer there for someone to come load up their couches, dressers, armchairs, mattresses, tables, and dishwashers.
  • FM radio plays loudly from speakers at the sales desk but is mysteriously turned off at peak wait time: two hours prior to closing.
  • SHOUTING ON TV

I can describe its characteristics, but I am still left wondering: what exactly is American Freight? Buying markdown scratch-and-dents in a warehouse feels like both the purest expression of capitalism and, somehow, its negation. Does this warehouse take us backstage of the commodity showcase, peeling away the curtains to reveal the artifice? Or does it elevate commodities to an even more rarified sublime?

No matter the theory, this seems like the kind of place where the story behind the story is fascinating, where the truth is stranger than fiction. How do these random recliners and major appliances arrive here? Are these storage beds made for American Freight, or have they been rejected by some other, more discerning retailer? What’s going on here?

Sunset of the Twenty-Tens

Night comes fast this time of year. One moment you’ll be looking down in sunlit splendor, reading an email, maybe, or scrolling through a feed; the next moment you will look up and find the sky streaked with pastel and Venus peering at you from the purple firmament. What happened? you ask, wasn’t it just lunch? Don’t blink or you’ll miss it.

Earlier this evening I realized that the last five years years have passed like a winter sunset. Watching old Viceland programming tonight on the zombie internet cable that came bundled with my Samsung TV was strangely tragic. Shows like Weediquette and F*ck That’s Delicious are like the last documents of the pre-COVID decade, an era we aren’t likely to miss but can never get back anyway. I watched Krishna Andavolu and an old hippie weed capitalist in Mendocino, California shuffle and sniff big Mason jars full of neon green cannabis buds like epicurean sommeliers and felt, just for a moment, a dull pang of regret. Our concerns in that summer of 2016 spanned the breadth and depth of a cannabis high. Overhead the sun was descending, however. Slow but gaining, it illuminated our salad afternoons until, in some instant historians will spend years debating, it dipped below the horizon.

I changed the channel.  

Thunder

Thunder here among the pines and red hills is the song of summer. Listen long enough and you will hear its song in different keys throughout the day. Thunder at 7:00 in the morning sings a gentle song of relief, of decisions you need not make, heat you need not endure. On a weekday morning this song is colored faintly with regret. It is a lullaby the armchair by the window hums softly to itself as you clamber through the door and leave for work. Thunder at noon is puckish, a cymbal crash to punctuate your lunch hour or send you scurrying to the pavilion at the beach clutching your shoes and towels. At day’s end here thunder sings the loudest, conducting a fanfare for the setting sun diva as it dips below the closed-curtain horizon. 

At night thunder sings the sweetest song. A song of space, of longing, and distance. A song of life.